Filming schedule

Date			Scene	Details	Location	Props/Actors
1/7/15			Countryside landscape, with a silhouette of a single tree.	Extreme long shot. Composition of the tree is on the right of the frame, while most of the sky is viewed. The shot is at an eye level and the first title is viewed on the left side of the frame.	Bourne woods.	No props or actors present in this scene.
1/7/15			Countryside landscape with the sun casting down from the clouds.	It is a clear view of the landscape with nothing present but the sun casting down in the middle of the frame, it is also an extreme long shot. The title is present right at the centre of the frame.	Bourne woods.	No props or actors present in this scene.
1/7/15			Another countryside shot but an actual view of the sunset with a slight view of a tree on the top left of the frame.	Extreme long shot of the sunset, a pull focus is used to focus attention to the sunset.	Bourne woods.	No props or actors present in this scene.
1/7/15			Final cinematic shot with inclusion of silhouettes of cattle.	Extreme long shot of the countryside with cattle beneath the final title of the song.	Bourne woods.	Cattle present.
4/7/15			Man in elephant costume behind cage.	Mid shot of the man in the elephant costume sighing due to sadness.	Bourne. Abandoned factory.	Man in elephant costume.
4/7/15			Shot of the man in an elephant costume with drawings of other elephants.	Close up of the elephant with a pan to the wall where drawings are present.	Bourne. Abandon factory.	Man in elephant costume.
4/7/15			Elephant man holding chalk and drawing beneath elephants.	Mid shot of the elephant drawing a tally. The camera angle is on a slant with elephant on the left of the frame.	Bourne. Abandoned factory.	Chalk, elephant man.
4/7/15		Elephant man behind fence.		Viewed from an angle at a medium close up to express emotion, shaking the fence.	Bourne.  Abandoned factory.	Elephant man.
4/7/15		Elephant man’s hand pulling the lock while it shows him breaking it with a rock.		Close up of the lock then pan downwards to the rock and another pan upwards to the lock.	Bourne. Abandoned factory.	Elephant man, rock and padlock.
4/7/15	Elephant man running from the bridge away from security.			Long shot at high depth of view.	Bourne.	Elephant man, security men.
4/7/15	Another view of the elephant man running away from the security.			Extreme long shot showing both the complex and the security and elephant man.	Bourne.	Elephant man, security men.
4/7/15	A view of the bike and behind the elephant man and the security running after him.			Close up of the bike and a pull focus of the elephant as he grabs it. Low angled view.	Bourne.	Elephant man, security and a bike.
4/7/15	Elephant man cycling down a hill.			Extreme long shot.	Bourne.	Elephant man on a bike.
4/7/15	Elephant man cycling towards the camera.			Long shot of the elephant man cycling to the bike stalls.	Bourne.	Elephant man and a bike.
4/7/15	Underground sign to the elephant man running in.			Close up of the sign to a pan of the elephant man running in.	Peterborough train station.	Elephant man and the sign.
4/7/15	Elephant man holding the cardboard signs.			Medium long shot of the elephant man in the middle of the frame holding the sign while people walk by.	Peterborough shopping centre.	Elephant man with sign.
4/7/15	View of the escalator with the elephant man running down.			Long shot, with a wide depth of view.	Peterborough shopping centre.	Elephant man with random people.
4/7/15	Another angle of the elephant walking down the escalator.			Mid shot of the elephant from the opposite escalators.	Peterborough shopping centre.	Elephant man.
4/7/15	A wide view of the elephant next to the train as it passes.			Medium long shot of the elephant. The elephant man is on the left of the frame as the train passes.	Peterborough train station.	Elephant man.
4/7/15	The elephant man is standing in the train, singled out.			Medium long shot of the elephant standing while everyone sits. The elephant man is in the centre of the frame.	Bourne buses.	Elephant man.
4/7/15	Elephant man now sits on the train.			Another medium long shot is used to view the elephant man on the left hand side.	Bourne buses.	Elephant man.
4/7/15	Elephant man is again standing and holding on to the pole in the train.			Close up of the elephant man’s head while he uses his trunk to provide support. Viewed at a low angle.	Bourne buses.	Elephant man.
4/7/15	Elephant man holds up the lyrics on cardboard in a public place.			Medium close up of the elephant with the lyrics on the left, right and centre of the frame, jump cuts are used to create this effect.	Peterborough shopping centre.	Elephant man with cardboard cut outs of lyrics.
4/7/15	Elephant man is seen to be looking at something within the train.			Extreme close up of the elephant looking at something filling the whole left side of the frame.	Bourne buses.	Elephant man.
4/7/15	A view of his chosen destination provides the indication on where he is going.			Extreme close up of the sign ‘Heathrow Airport’. All focus on the sign as the outer edges are blurred.	Bourne buses.

Storyboard

Storyboard

 

 

Digi-Pak analysis (2 Similar, 1 different to genre)

Digi-Pak analysis - Gorillaz Demon Days

The band above are called ‘Gorillaz’ and there genre of music is alternative because they have done parts of Rock and parts of hip-hop throughout their career. The image above is the album cover for one of their albums called ‘Demon Days’. The interesting part about this band and also the album is that the band members are portrayed as cartoon characters and this attracts the eye of audiences because it is unusual and different. The bands Gorillaz do create good music and are quite successful in the music industry but when people talk about the Gorillaz they are spoken about their cartoon members because of the originality. The importance of using and sticking to these characters is important to the band because it helps audience instantly recognise them from this creative idea. The strong point about this digi-pak is that it is very basic but effective because of the images which are interesting to look at and the very little typography used suggests the images are powerful enough for people to recognise them without the use of bold typography to attract them. The effective part of the digi-pak is the use of cartoon characters which is an example of synergy by the ‘Gorillaz’ creating this idea and creating cartoon characters to represent the band. This is effective because they can work with other companies and especially can help with sales of merchandise. This is because companies can create toy characters of these cartoon characters and this will increase sales and recognition for the band from the unique cartoon characters to represent the band members. (Similar to genre)



The Viva La Vida digi-pak is very effective because of the image used, they subvert conventions of not using the main band member/artist on the front cover. They have used an image that references to the French Revolution in the late 1700's. This has been done to accompany the name of the album and also one of the singles that Coldplay released, which is an effective way to sell their album because of the link that the album has to a song and also to history. The history reference is effective because people will research into the Viva La Vida theme and will listen to the albums and singles to create the link with the imagery on the digi-pak which is effective from Coldplay to broaden it's audience members. A convention that Coldplay have adhered is the main artist used, they have also shown all band members and this a good convention to adhere to because it allows the audience to become familiar to the band members and also get to know what part they play in the band from the very good choice of images. This is effective for marketing purposes because the audience can get to know the band in more detail from the part they play from the images telling the background of the band. 

The one direction digi-pak adheres the pop conventions of being happy and cheesy. That is present from the images used on the digi-pak above. The facial expressions used indicate the type of music that the band sing, with the happy looking faces this can reflect the bands lifestyle and lyrics of songs. The colours of the outfits the band members also adhere the representations associated to the pop genre and that is the use of bright colours. All the colours used on a digi-pak create a message about the band and the genre. Lots of vibrant colours are associated with pop and people can search for the pop genre via the use of colours.