Shot 2: We then cut to the next shot which is split into 3 sections of 3 different locations and the different locations cut into the screen in time with the beat.
Shot 3: The next shot is also similar with the same technique of the splitting of the screen with more locations that we used throughout our promo. This is showing our locations throughout and getting our audience familiar to the locations used.
Shot 4: The same split screen of 3 of us is used again and this is to show our characters to get our audience familiar with the characters before the narrative kicks in, they are all midshot of the characters so they can see what they look like but also see the costumes to recognise them in the promo. The use of the split screen is used a lot here because it looks effective with the cutting to the beat.
Shot 5: This is a beginning of the narrative and shows the businessman in unfamiliar territory of a field/woods and gazing longingly into the distance.
Shot 6: This is the beginning of the lyrics and we felt it was important to show the singer here and introduce the audience with the lip syncing and the main singer and get an idea for the main artist from an early stage.
Shot 7: The shot then cuts back to the business man in the woods and a close up is used to show the lost expression on the face of the business man as he is in unfamiliar territory.
Shot 8: We then cut to a shot of the business man working on his laptop and would be an over the shoulder shot to show him typing on his laptop, with the narrative we are aiming for the audience to understand that whether you are animal or human you are all the same, we have chosen this idea as the lyrics in the chorus use the words 'Maybe we're like animals'.
Shot 9: The next shot just emphasis' the work the business man is doing with an extreme close up of his hands typing away on his laptop.
Shot 10: A reminder then pops up on his mobile of a meeting he has to attend to at 9.30am and it is an extreme close up of the mobile to see the time.
Shot 11: The next shot is an extreme long shot of the business man standing in the woods working on his laptop, showing he is in an inappropriate location for a meeting.
Shot 12: The shot then cuts to the watch showing the time he has to get to his meeting and at this point the beat gets faster in tempo and begins this indicates the change in narrative from a relaxed man at work to someone now in a rush.
Shot 14: A close up of the main artist singing the song, we decided to have the singer in different background locations and of similar background for the two main characters to have another link between the two characters.
Shot 15: A mid shot of the gorilla which pans from his feet to his face with him looking lost as he's in a public area
Shot 16: A close up of the gorilla's face to show the lost emotions to reinforce the lost emotion from the previous shot
Shot 17: A high angled long shot of the gorilla showing him in unfamiliar territory (public area)
shot 18: Another close up of the main artist singing, short snippets to keep it exciting and remind the audience of the singer and his appearance
Shot 19: After the lyrics 'I will let it go' the gorilla is released and begins to travel through the public area continuing to look lost
Shot 20: A time lapse of the town with constant, busy traffic which is portrayed through a long shot, giving the audience an idea of the area the gorilla is in
Shot 21: The beginning of the chorus so a close up of the main artist in another different location (similar to gorilla)
Shot 22/23/24/25: Flashes of the two main characters (gorilla and business man) running through their unfamiliar locations as the lyrics in the background sound 'Running wild' continuing to create the links between the lyrics and action on screen
Shot 27: Close up of the gorilla's face to reinforce the emotions
Shot 28: Extreme long shot of behind the gorilla to show he's still lost and in unfamiliar territory
Shot 29: Close up of main artist, before cutting to the other character
Shot 30: Back to the business man with a mid shot which is over the shoulder of the character showing him gazing into the distance
Shot 31: Close up of the watch to show the time has passed from the last time we saw the watch and show how time is running out for the character
Shot 32: Close up of the business man with a sad facial expression to indicate he's running out of time
Shot 33: A long shot of the business man running off camera to indicate he's back rushing off again - this is still adhering the fast tempo of the song
Shot 34: Close up of the main artist again, with the chorus coming to an end with the repetitive lyrics of 'Oh we get it all wrong'
Shot 35/36: Two characters walking into their shots, creating match on action with the two shots following on from each other and both showing the characters in their unfamiliar surroundings which fits with the 'oh we get it all wrong' lyrics.
Shot 38: Long shot of main artist gazing into the distance which is over his shoulder
Shot 39: Close up of the min artist for the audience's pleasure as it is what they expect to see
Shot 40: Use of the split screen with long shots of two very different locations, used to make the audience create messages about why they have been placed here but they are the locations both characters are aiming to get to
Shot 41: Back to the use of the screen split into 3 to help with cutting to the beat, to show a bit of consistency and it goes from a long shot of the business man getting his phone out of his pocket then two consecutive close ups of the business man answering and ending a phone call from his boss
Shot 42: A short shot and a midshot is used to show the business man putting his phone back in his pocket
Shot 43: Another split into 3 of the screen again for the cutting to the beat and consistency and in these 3 we see a close up of the business man get into a jog and then the other 2 are showing him running off into the distance and at different stages of his run/journey
Shot 44: Close up of main artist to help split up the narrative between the two characters
Shot 45: A time lapse is placed here to indicate time passing and an extreme long shot of the sky
Shot 46: Back to the gorilla with him in focus from a long shot that is over his shoulder and then focus will be pulled to a bike on the side of the road
Shot 47: Mid shot of the gorilla picking up the bike and showing a happy emotion as this will be the answer to all his problems
Shot 48/49: Long shot of the gorilla dashing off camera indicating a progression with the narrative as at this point the lyrics 'And the dust moves faster' are heard
Shot 51: The shot is faded in and we see the business man out of breath with a sad facial expression still as he enters more familiar territory
Shot 52: A midshot of the business man taking his phone out of his pocket again
Shot 53: A close up which is over the shoulder of the business man showing his phone with an incoming call from his boss
Shot 54: A mid shot of the business man from behind showing him throw his phone into the distance and make a U-turn on his journey
Shot 55: The businessman is shot close up with him appearing to be thinking with a little more happiness in his face
Shot 56: Another close up of the businessman walking towards the camera while undressing himself with taking his tie off and undoing his top button and becoming more comfortable with a smile gradually coming upon his face
Shot 57: An extreme close up with the tie in focus and then focus is pulled from the tie to the businessman's feet walking off into the distance
Shot 58: The final chorus kicks in and we see the businessman begin to run to indicate the increase in tempo
Shot 58/59/60/61: The same as the last chorus to show consistency to show the two characters travelling at speed to keep up with the tempo of the chorus and are all seen in long shots to show all the locations they travel through
Shot 63: Long shot of the bike placed down and the gorilla running off into the distance leaving his bicycle behind
Shot 64: Another time lapse to indicate time passing again
Shot 65: A midshot of the businessman taking off his blazer and leaving it behind
Shot 66: A midshot of a burning fire out of focus with the businessman smiling towards it and then focus is pulled and the fire is then in focus as the businessman walks towards the fire
Shot 67: A close up of the briefcase being burnt into flames
Shot 68: A midshot of the businessman looking to run off with a relaxed facial expression
Shot 69: An extreme long shot of a field with the sun setting and the use of a time lapse
Shot 70: The businessman sat staring into the fire with a long shot of him from the distance
Shot 71: An over the shoulder shot of the gorilla looking at the businessman
Shot 72: The gorilla removing his gorilla mask with an extremely happy smile portrayed through a midshot
Shot 73: The two characters meeting in a long shot and morphing into one character - helping with the message of us 'Maybe we're like animals'
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